Mercoledì 17/9/2014, alle ore 10, aula 3.9 al terzo piano di Palazzo Giusso si terranno gli esami di Storia delle Dottrine Politiche.
Martedì 9/9/14, h. 12,45 riprenderà il ricevimento per gli studenti del Dipartimento di Scienze Politiche “Jean Monnet”, presso lo studio 44.
È da oggi disponibile online il numero 1 di Politics. Rivista di Studi Politici intitolato “Innovare la politica”.
Politics è una rivista scientifica scientifica semestrale (online con accesso libero, double blind peer-review) diretta da me e dal collega Alessandro Arienzo.
Partecipato alla IV edizione della summer school “Giornate d’Europa: Europe state of mind” con un intervento intitolato “Europa: storia di un progetto politico (tra passato e futuro).
Programma della Summer School “Giornate d’Europa” IV edizione.
L’intervista di Maria Beatrice Crisci pubblicata sulla rivista Link.
Link all’articolo: http://www.linkabile.it/le-primarie-sono-state-uno-strumento-importante-anche-se-eccentrico/
Si avvisano gli studenti del Dipartimento di Scienze Politiche “Jean Monnet” che il ricevimento di martedì 17 giugno è rimandato a giovedì 19 alle ore 13,45.
Si avvisano gli studenti che l’ultima lezione del corso di Storia delle Dottrine Politiche di lunedì 12/5/14 sarà sostituita dal seminario che si terrà lo stesso giorno alle ore 15,30.
Il programma in pdf: SPECTERS OF THE GREAT WAR: FRANCE, ITALY, AND THE FIRST WORLD WAR
SPECTERS OF THE GREAT WAR: FRANCE, ITALY, AND WORLD WAR I
An international and interdisciplinary conferene at Dartmouth College
May 15 th – May 17th 2014
All presentation in Haldeman 041
Wednesday May 14, 7:00 pm, 105 Dartmouth Hall
Gran Serata Futurista
The performance celebrates the birth of the Futurist Movement. Readings from a number of “explosive” manifestos will underscore the major developments in futurism. This effervescent monologue will highlight the impact of futurism on the arts, everyday life, and ideas about the acquisition of knowledge.
Thursday, May 15, 2014
10:30 visit to the WWI exhibit in Baker Library with Morgan Swan, Special Collections Education and Outreach Librarian at Dartmouth College
12:45 Coffee
1:15 Opening remarks: Graziella Parati, Chair of the Department of French and Italian
Philip Hanlon, President of Dartmouth College
Adrian Randolph, Dean of the Humanities
2:00-3:45 MODERNISM AND WWI
CHAIR: KATHERINE HORNSTEIN, Art History Department, Dartmouth College
Cinzia Blum “Masculine Exploits: Marinetti’s Futurist Performance on the Stage of the Great War”
Abigail Susik “War Games: Surrealist Automatism and the Great War.”
Michael Syrimis “War, Laughter, and the Mechanized Body in Italian Silent Film”
3:45-4:15pm
Coffee Break
4:15-5:45pm Keynote Address:
INTRODUCED BY MARGARET DARROW, History Department, Dartmouth College
Mark Thompson National Unity or Shared Suffering? – Dilemmas of Commemoration in Italy
6:00pm
Reception
Top of the Hop, Hopkins Center
6:45 Dinner: Faculty Lounge—Hopkins Center (by invitation only)
Friday, May 16, 2014
8:30-9:00am
Breakfast
9:00-10:45 am CULTURAL POLITICS
CHAIR: LUCAS HOLLISTER, French and Italian Department, Dartmouth College
Allison Scardino Belzer “Nurses, Spies, and Sacrifice: Female Citizenship and Patriotism in Italy
Diego Lazzarich “War on war!” The Italian Socialists and WWI
Andrew Sobanet “Pacifism and the Rise of Stalinism in France: A Legacy of World War I”
Recensione del libro “Selling war”
International Journal of Communication 8 (2014), Book Review 157–160.
Josef Seethaler, Matthias Karmasin, Gabriele Melischek, and Romy Wöhlert (Eds.), Selling War: The Role of the Mass Media in Hostile Conflicts from World War I to the “War to Terror,” Chicago: Intellect Ltd., University of Chicago Press, 2013, 367 pp., $35.50 (paperback).
Reviewed by Congying Chen (University of Southern California)
Selling War assembles articles that focus on the relationship between war and media to highlight that the tone, point of view, and medium used by reporters all impact the public’s perception of wars. For example, articles published by national news agencies evoke different public reactions than diaries of soldiers posted on social media platforms. The authors argue that the role of mass media will continue to change as the media environment and technology evolve. […]
Moving forward, Diego Lazzarich observes the wars of the 20th century, focusing on war discourse. The rhetorical tone of war in public talks shifted during this time. In the early 20th century, nations used war to evoke citizens’ patriotism and desire for heroism. At the end of the 20th century, especially after two devastating World Wars, media reversed itself and tried to depict war as a neutral event or even as a positive transition for a country suffering from a tyrannous dictatorship. For example, during the 1991 Gulf War, George Lakoff notes “the use of language that constantly underlined and affirmed the cold neutrality of military operations” (p. 48), and Lazzarich points out that “a new concept of war was thus born that would also be used in subsequent wars, which were legitimized as operations with the beneficial aim of exporting democracy” (p. 48).
Articolo e servizio video da JulieNews
Lazzarich 